Foto von Prof. Dr. Jessie Pons

Prof. Dr. Jessie Pons

Professur Südasiatische Religionsgeschichte

Professor South Asian History of Religion
Project leader DiGA

 

Jessie Pons studied history of art, archaeology, Indian studies, and museum studies at the School of Oriental and African Studies (University of London), École du Louvre, and the University of Paris. In 2011, she earned her Ph.D. in art history from the university of Paris-Sorbonne with a thesis on the early Buddhist art from Gandhara. Between 2010 and 2016 she worked as a postdoctoral researcher at the Centre for Religious Studies in Ruhr Universität Bochum and was a KHK Research Fellow (2013-2014). Since January 2016, Jessie Pons has been a Professor for South Asian History of Religions.

Trained as an art historian, she is particularly attentive to the relationship between religion and art and to the role of material objects in religious experiences and the study thereof. The historical region of Gandhara (present-day Pakistan/Afghanistan), located at the crossroads of Asia, is her favourite field for reflection. In her research on Gandhara, she draws upon the results of her doctoral dissertation on the identification and characterisation of sculptural styles to reassess certain problems connected to Buddhism in the region such as networks of communication between Buddhist sites and actors, the emergence of Mahayana Buddhism, instances of instances of cultural and religious interactions and the diffusion of the hagiography of the Buddha.

Jessie Pons has a keen interest in discourses around the preservation of religious material heritage and the appropriation, destruction or reconstruction of religious sites and art objects for shifting ideological purposes. Since 2016, she has been involved in several projects for the digital documentation and preservation of Buddhist artefacts (DiGA, Pelagios Working Group, coordinated with Frederik Elwert) and sought to develop new methods for the study of the history of ancient Buddhism and of South Asian religions in general through artistic expressions.

Sprechstunden

 

On appointment

Forschungsgebiete

 

Early Buddhism and Buddhist art, Gandharan Studies, Religion and Materiality in South Asia, Digital Humanities, Inter-religious encounters in early South Asia, Religion and Art, Preservation of religious sites and objects

 

Education

 

Professional Experience

 

Forthcoming (2024)

Monographs

- Spring 2024: Arts du Gandhara. Richesse, diversité et répartition des ateliers de sculpteurs sur pierre, Association pour la protection de l’archéologie afghane, Strasbourg, (Archaeologia Afghana).

- D. Jongeward, T. Lenz, J. Neelis and J. Pons, Buddhist Rebirth Narratives in Literary and Visual Cultures of Gandhara.

 

Edited volumes

- Spring 2024: De l’Oxus au Gange : Études en l’honneur de Francine Tissot. Actes du colloque en l’honneur de Francine Tissot organisé par Jessie Pons et Osmund Bopearachchi, à l’École Normale Supérieure, Paris, le 8 juin 2013 et enrichis de nouvelles contributions, Association pour la protection de l’archéologie afghane, Strasbourg (Archaeologia Afghana).

 

Articles (peer-reviewed)

- In press: Gandhāran Arts and Tracks: A Reappraisal of the Stylistic Ties between the Swat Valley, Zar Dheri and Taxila, in A. Filigenzi (ed.), Proceedings of the 24th conference of the European Association for South Asian Archaeology and Art, 26 July 2018, Rome, ISMEO, 20 pages.

 

Book chapters

- In press: O. Bordeaux and J. Pons, L’empire indien des Kouchans, in C. Ferrier (eds.), Histoire Ancienne et Médiévale de l'Inde du Nord (Nouvelle Clio), Paris, Presses Universitaires de France.

2024

Arfeen-Wegner, Percy, Jessie Pons, und Ophira Gamliel. 2024. „Transcending Boundaries: Sacred Spaces in Premodern and Early Modern Malabar, South India“. Bochum: Universitätsbibliothek, Ruhr-Universität Bochum. https://doi.org/10.13154/294-12689.
Detige, Tillo, Jessie Pons, und John E. Cort. 2024. „Eternal Salutations: Memorials of Digambara Jaina Ascetic Lineages from Western India“. Bochum: Universitätsbibliothek, Ruhr-Universität Bochum. https://doi.org/10.13154/294-12376.

2023

Autiero, Serena, Frederik Elwert, Cristiano Moscatelli, und Jessie Pons. 2023. „The Seven Steps: Building the DiGA Thesaurus“. Journal of Open Humanities Data 9 (Juli). https://doi.org/10.5334/johd.111.

2022

Amato, Antonio, Frederik Elwert, und Jessie Pons. 2022. „Digitization of Gandharan Artefacts: A Digitization Concept“. https://doi.org/10.46586/rub.204.
Autiero, Serena, Frederik Elwert, Cristiano Moscatelli, und Jessie Pons. 2022. „The Seven Steps: Building the DiGA Thesaurus“. Konferenz-Abstract. In Digital Humanities 2022 Conference Abstracts, 422423. Tokyo: DH2022 Local Organizing Committee. https://dh2022.dhii.asia/dh2022bookofabsts.pdf.
Elwert, Frederik, und Jessie Pons. 2022. „Brücken bauen für Buddha: das Projekt ‚Digitalisierung Gandharischer Artefakte‘ (DiGA) und die Pelagios Working Group ‚Linked Data Methodologies in Gandharan Buddhist Art and Texts‘“. Poster-Abstract. In DHd2022: Kulturen des digitalen Gedächtnisses, herausgegeben von Michaela Geierhos, 267–68. Potsdam: s. n. https://doi.org/10.5281/zenodo.6327971.
Pons, Jessie. 2022. „Would You like Some Wine?: Remarks on a Revelling Scene from Zar-Dheri“. In Connecting the Art, Literature, and Religion of South and Central Asia, herausgegeben von Ines Konczak-Nagel, Satomi Hiyama, und Astrid Klein, 281–98. New Delhi: Dev Publishers & Distributors.

2021

Pons, Jessie. 2021. „Wie die Erde aus dem Wasser kam, damit Kinder spielen können: eine Schöpfungsgeschichte aus dem vedischen Indien“. In Wie die Sterne an den Himmel kamen, herausgegeben von Kianoosh Rezania, Judith Stander-Dulisch, und Franziska Burstyn, 35–42. Leipzig: Edition Hamouda.

2020

Elwert, Frederik, und Jessie Pons. 2020. „Linked Data Methodologies in Gandhāran Buddhist Art and Texts: Pelagios Working Group Final Report“. https://doi.org/10.13154/rub.148.125.

2019

Pons, Jessie. 2019a. „Gandhāran Art(s): Methodologies and Preliminary Results of a Stylistic Analysis“. In The Geography of Gandhāran Art, herausgegeben von Wannaporn Rienjang und Peter Stewart, 3–40. Oxford: Archaeopress Archaeology. https://www.carc.ox.ac.uk/PublicFiles/media/The%20Geography%20of%20Gandharan%20Art.pdf.
———. 2019b. „Geschichten von Zerstörung, Verfall und Blasphemie: eine Biografie der Buddhastatuen von Gandhara“. In Bild Macht Religion, herausgegeben von Martin Radermacher und Hans Günter Golinski, 134–39. Bochum: Kunstmuseum Bochum.

2018

Amato, Antonio, Frederik Elwert, und Jessie Pons. 2018. „Erstellung eines Digitalisierungskonzeptes: Gandhararische Artefakte: Abschlussbericht“. Förderkennzeichen 01UG1649X. https://doi.org/10.2314/gbv:1025141458.
Beltz, Johannes, Anna Hagdorn, Patrick Krüger, Jessie Pons, und Alexandra von Przychowski. 2018. Buddhismus ABC: religiöse Schulen und Gruppierungen, legendäre und historische Personen, legendäre und reale Orte, Lehrbegriffe und Rituale, göttliche Wesen und Gottheiten, Symbole und Kunst (Version Verlagsversion). Zürich: Museum Rietberg.

2016

Pons, Jessie. 2016a. „Brian Black and Laurie Patton (Eds): Dialogue in Early South Asian Religions: Hindu, Buddhist, and Jain Traditions. (Dialogues in South Asian Traditions: Religion, Philosophy, Literature and History.) Xi, 265 Pp. Farnham: Ashgate, 2015. ISBN 978 1 4094 4012 3“. Bulletin of the School of Oriental and African Studies. Cambridge: Cambridge Univ. Pr. https://doi.org/10.1017/s0041977x16000914.
———. 2016b. „Kushabn Dynasty IX. Art of the Kushans“. In Encyclopaedia Iranica, herausgegeben von Ehsan Yarshater. London: Routledge & Kegan Paul. https://www.iranicaonline.org/articles/kushan-dynasty-09-art.
———. 2016c. „Kushan Dynasty VI. Archeology of the Kushans: In India“. In Encyclopaedia Iranica, herausgegeben von Ehsan Yarshater. London: Routledge & Kegan Paul. https://iranicaonline.org/articles/kushan-dynasty-06-archeology-india.

2015

Leach, Robert, und Jessie Pons, Hrsg. 2015. Puṣpikā: Tracing Ancient India through Texts and Traditions: Contributions to Current Research in Indology Volume 3 (Version Verlagsversion). Puṣpikā 3. Havertown: Oxbow Books. https://www.jstor.org/stable/j.ctt1cd0pcr.

2014

Pons, Jessie. 2014a. „Ducoeur, G (ed.): Autour de Bāmiyān, De la Bactriane hellénisée à l’Inde Bouddhique. De Boccard: Paris, 2012“. Topoi. Paris: Boccard.
———. 2014b. „The Figure with a Bow in Gandharan Great Departure Scenes: Some New Readings“. Entangled Religions 1: 15–94.
———. 2014c. „Zafar Paiman and Michael Alram : Tepe Narenj à Caboul, Ou l’Art Bouddhique à Caboul Au Temps Des Incursions Musulmanes. The Tepe Narenj Buddhist Monastery at Kabul. Buddhist Art during the First Muslim Raids against the Town. Volume I, Chronologie Bâtiments, Céramiques et Monnaies. Paris 2013“. Bulletin of the School of Oriental and African Studies. Cambridge: Cambridge Univ. Pr. https://doi.org/10.1017/s0041977x14000743.

2013

Pons, Jessie. 2013. „Jayaswal, V. (ed.): Glory of the Kushans, recent discoveries and interpretations. Aryan Books Int.: New Delhi, 2012“. Topoi. Paris: Boccard.

2011

Pons, Jessie. 2011. „From Gandharan Trays to Gandharan Buddhist Art: The Persistence of Hellenistic Motifs from the 2nd Century BC and Beyond“. In From Pella to Gandhara, herausgegeben von Anna Kouremenos, 2221:153–76. Oxford: Archaeopress.

2010

Pons, Jessie. 2010. „Remarks on the Geographical Definition of Gandhāran Buddhist Sites“. Journal of Ancient Indian History 26: 37–49.

2009

Pons, Jessie. 2009. „Eclat d’un métissage“. In 100000 ans de beauté, herausgegeben von Elizabeth Azoulay, 168–71. Paris: Gallimard.

2008

Pons, Jessie. 2008. „Gandharan Trays“. In Gandhara, the Buddhist Heritage of Pakistan, herausgegeben von Dorothee von Drachenfels und Christian Luczanits, 78–79. Bonn [u.a.]: Verl. von Zabern.

1985

Pons, Jessie. 1985. „Kushan Archaeology (Indian Side)“. Herausgegeben von Ehsan Yarshater. Encyclopaedia Iranica. London: Routledge & Kegan Paul.

 

Introductory Classes (in German or English on demand)

On regular offer

 

Seminars (in English)

Current Summer Semester 2024

 

Past Semesters

 

eCourses

Buddhismus (Südasien) – OpenRUB.: https://moodle.ruhr-uni-bochum.
de/course/edit.php?id=52092.
Hinduismus – OpenRUB.: https://moodle.ruhr-uni-bochum.de/course/view.php?id=56523.

 

PhD Supervisions

On-going

Percy Arfeen: Transcending Boundaries: Material Culture of Sacred Spaces in Premodern and Early Modern Kerala, South India

Tillo Detige: Eternal Salutations: Early Modern Digambara Jaina Renouncers' Funerary Monuments from Western and Central India

Leo Weiß: Die universitäre Sammelleidenschaft im (post) kolonialen Kontext: Die heilkundliche Instrumentensammlung des Indologen A.F. Rudolf Hoernle am Karl-Sudhoff-Institut Leipzig (CERES, RUB).

Completed

Lillian Sellati: When is Herakles Not Himself? Mediating Cultural Plurality in Greater Central Asia, 330BCE-365CE (Department of the History of Art, Yale University, defended in June 2023).

Principal Investigator von SFB 1475 „Metaphern der Religion“

Professor*in von Centrum für Religionswissenschaftliche Studien , CERES Lehre , CERES-Direktorium und Südasiatische Religionsgeschichte

Koordination von Religion & Medien

Projektleitung von Teilprojekt B04

Mitglied des Research Departments von CERES RESEARCH DEPARTMENT

Beteiligte Person von Studienbeirat

Kooperationspartner von NFDI4Memory

Ehemalige Projekte und Zugehörigkeiten

Projektleitung von DiGA , Erstellung eines Digitalisierungskonzeptes: Gandharische Artefakte und Linked Data Methodologies in Gandhāran Buddhist Art and Texts

Einzelforscher*in von The Circulation of Divinities

Wissenschaftliche*r Mitarbeiter*in von Dynamiken von Textkorpora und Bildprogrammen

Gastwissenschaftler*in von Käte Hamburger Kolleg

Kollegiat*in von Käte Hamburger Kolleg